The Importance of Being Earnest
Plot: Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.
Michael Redgrave. Michael Redgrave was 44 in The Importance of Being Earnest as 'Ernest Worthing'.
Michael Denison. Michael Denison was 36 in The Importance of Being Earnest as 'Algernon Moncrieff'.
Edith Evans. Edith Evans was 64 in The Importance of Being Earnest as 'Lady Bracknell'.
Joan Greenwood. Joan Greenwood was 31 in The Importance of Being Earnest as 'Gwendolen Fairfax'.
Dorothy Tutin. Dorothy Tutin was 22 in The Importance of Being Earnest as 'Cecily Cardew'.
Margaret Rutherford. Margaret Rutherford was 60 in The Importance of Being Earnest as 'Miss Prism'.
Miles Malleson. Miles Malleson was 64 in The Importance of Being Earnest as 'Canon Chasuble'.
Richard Wattis. Richard Wattis was 40 in The Importance of Being Earnest as 'Seton'.
Walter Hudd. Walter Hudd was 55 in The Importance of Being Earnest as 'Lane'.
Aubrey Mather. Aubrey Mather was 66 in The Importance of Being Earnest as 'Merriman'.
Ivor Barnard. Ivor Barnard was 64 in The Importance of Being Earnest as 'Conductor (Uncredited)'.
Anthony Asquith. Anthony Asquith was 49 in The Importance of Being Earnest as 'Director, Screenplay'
Desmond Dickinson. Desmond Dickinson was 50 in The Importance of Being Earnest as 'Director of Photography'
Robert Asher. Robert Asher was 37 in The Importance of Being Earnest as 'Assistant Director'
David W. Orton. David W. Orton was 29 in The Importance of Being Earnest as 'Second Assistant Director'
Teddy Baird. Teddy Baird was 50 in The Importance of Being Earnest as 'Producer'
Earl St. John. Earl St. John was 59 in The Importance of Being Earnest as 'Executive Producer'
John D. Guthridge. John D. Guthridge was 39 in The Importance of Being Earnest as 'Editor'
Eric Wood. Eric Wood was >> in The Importance of Being Earnest as 'Sound Editor'
Benjamin Frankel. Benjamin Frankel was 46 in The Importance of Being Earnest as 'Original Music Composer, Conductor'
Bert Batt. Bert Batt was 22 in The Importance of Being Earnest as 'Third Assistant Camera'
Arthur Alcott. Arthur Alcott was 57 in The Importance of Being Earnest as 'Production Controller'
Oscar Wilde. Oscar Wilde would have been no older than 46 in The Importance of Being Earnest as 'Theatre Play'
Weston Drury Jr.. Weston Drury Jr. was 36 in The Importance of Being Earnest as 'Casting'
George Blackler. George Blackler was 40 in The Importance of Being Earnest as 'Makeup Artist'
Arthur Taksen. Arthur Taksen was >> in The Importance of Being Earnest as 'Set Dresser'
Peter Lamont. Peter Lamont was 22 in The Importance of Being Earnest as 'Draughtsman'
Carmen Dillon. Carmen Dillon was 43 in The Importance of Being Earnest as 'Art Direction'
John Box. John Box was 32 in The Importance of Being Earnest as 'Draughtsman'
John Dennis. John Dennis was >> in The Importance of Being Earnest as 'Sound Recordist'
Biddy Chrystal. Biddy Chrystal was 40 in The Importance of Being Earnest as 'Hairstylist'
Yvonne Caffin. Yvonne Caffin was 48 in The Importance of Being Earnest as 'Costume Supervisor'
Joan Davis. Joan Davis was >> in The Importance of Being Earnest as 'Continuity'
David Harcourt. David Harcourt was 36 in The Importance of Being Earnest as 'Camera Operator'
Beatrice Dawson. Beatrice Dawson was 44 in The Importance of Being Earnest as 'Costume Design'
Ernest Archer. Ernest Archer was 41 in The Importance of Being Earnest as 'Draughtsman'
Gordon K. McCallum. Gordon K. McCallum was 33 in The Importance of Being Earnest as 'Sound Recordist'
Joan Bridge. Joan Bridge was 40 in The Importance of Being Earnest as 'Other'
Roy Goddard. Roy Goddard was >> in The Importance of Being Earnest as 'Production Manager'
Harry Gillard. Harry Gillard was >> in The Importance of Being Earnest as 'Still Photographer'
Dorothy Edwards. Dorothy Edwards was >> in The Importance of Being Earnest as 'Wardrobe Supervisor'