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Plot: This film by Kara Walker takes its title and narrative from documents in the Freedman Bureau’s archive and uses her trademark cut-paper silhouettes to animate the disturbing story of an African American family. Controlled by the sticks and strings of their human operators, including the artist herself, the figures moving within a shadow puppet-like theater space remind us of the manipulation of historical oppression and the powerlessness of the oppressed while also emphasizing the theatricality of the film itself